Posts

Showing posts from October, 2017
The humor of the "hippy world" through "Freak Brothers", while following a group of druggies in the world, we get a look into what the time period thought about them. Which I technically don agree with the statement, it is funny to read. They exaggerate some of the stories to a point of ridiculousness. To the point of showing fear towards government and cops, and how absurd both sides views.  This comic kinda reminds me of the simpsons, making fun of America, but not getting mad at the idea. I feel like sometimes I put myself into these character shoes, due to relating to them in some ways, and laughing at myself. The style of characters is interesting because the worldview of hippies are a little different than what they were then. For example when I think of hippies, its long hair, headband, peace symbols, and vibrant clothes. While these are conveyed completely different than what I thought of as hippies.  One issue they did bring up that was humorous that, wa
Sally Cruikshank two films are extremely weird, but fascinating. I couldn't keep my eyes off the page. I really like how Quasi is conveyed as a dick in the piece, only looking for himself. Also, the exaggeration fo this whole world and going to a museum that lets you look into different time periods if you fall threw is an amazing concept. I want to try some of those machines and rides. They are super bizarre. You need to watch it again to get some of the tiny details that happen threw out the whole short film. These wacky films are so bizarre that they are captivating.
So while reading the two comics, I found interest in the two comic books difference in style. Even though they both have a grit to each one of them, Blankets has a cleaner style. I feel like you couldn't interchange them because it would throw the whole mood and concept out the window. When I finished both of them, I found both actually pretty relatable. Especially the issue of dealing with religion. They both tackled that issue well instead of bashing them about their viewpoints. In Blankets, I really like how the artist stretch the compositions and perspective of the whole piece. they would stretch certain characters expression as well as break some of the styles to show more mood by making less clean shapes. To contrast, I also enjoyed how Contract the God style was rough and felt like you were in the ghettos of New York. Each one I think executed their pieces very well, even if you don't relate to them, I felt like they impacted me and my viewpoints.